PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
片名：《极度恐慌1983》
《极度恐慌1983免费在线观看》-电影高清完整版 - 私人家庭影院
连载状态：完结
发行年份：1983
首映地区：西班牙
导演：Jacinto,Molina
演员：Paul,Naschy,Julia,Saly,Lola,Gaos
《极度恐慌1983》如果您能改编这部影视作品的结局，您会选择怎样的结局？
回答：如果我能改编这部影视作品的结局，我可能会选择一个更加开放或悬疑的结局，让观众产生更多想象空间和讨论话题。
《极度恐慌1983》这部影视作品中是否有一句对白或台词让您印象深刻？能分享一下吗？
回答：这部影视作品中有一句对白“你真好看”让我印象深刻，这句话深刻表达了角色的内心世界。
《极度恐慌1983》如果您能在这部影视作品中扮演一个角色，您会选择哪个角色？为什么？
回答：如果我能在这部影视作品中扮演一个角色，我可能会选择饰演男一号，因为这个角色的成长历程和情感转折让人动容。
《极度恐慌1983》在您看来，这部影视作品最大的亮点是什么？
回答：编剧导演在某些人物塑造方面过犹不及，一个故事一堆所谓深情男二，有病啊，借用某站一位网友的一句话来评价你们：“本来想要露脸的，没想到把屁股露出来了，丢人啊！
