Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
片名：《难以置信的事实》
《难以置信的事实免费在线观看》-电影高清完整版 - 私人家庭影院
连载状态：完结
发行年份：1989
首映地区：美国
导演：霍尔·哈特利
演员：安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特
《难以置信的事实》如果您能改编这部影视作品的结局，您会选择怎样的结局？
回答：如果我能改编这部影视作品的结局，我可能会选择一个更加开放或悬疑的结局，让观众产生更多想象空间和讨论话题。
《难以置信的事实》这部影视作品中是否有一句对白或台词让您印象深刻？能分享一下吗？
回答：这部影视作品中有一句对白“你真好看”让我印象深刻，这句话深刻表达了角色的内心世界。
《难以置信的事实》如果您能在这部影视作品中扮演一个角色，您会选择哪个角色？为什么？
回答：如果我能在这部影视作品中扮演一个角色，我可能会选择饰演男一号，因为这个角色的成长历程和情感转折让人动容。
《难以置信的事实》在您看来，这部影视作品最大的亮点是什么？
回答：编剧导演在某些人物塑造方面过犹不及，一个故事一堆所谓深情男二，有病啊，借用某站一位网友的一句话来评价你们：“本来想要露脸的，没想到把屁股露出来了，丢人啊！
